Friday, March 3, 2017

Review: Evolution



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Recently, I got a chance to see an amazing French film called Evolution. What is Evolution about? It is a film about a seaside town harboring a disturbing secret. A tale of a strange evolutionary diversion. Fears of alien substances and beings penetrating and subverting the body. A delirium of not knowing what is human and non-human, what is mother and what is non-mother. A film that is erotic and fascinating in its secrets. And so far the best film I have seen in 2017.


Evolution is directed by Lucile Hadzihalilovic, her follow up film to her first film Innocence. Evolution has some of the most beautiful oceanic photography I have ever seen in a film. A visual delight, the textures and the overwhelming dampness of the film are beautiful rendered. The film also has a very sparse score, which only kicks in when needed to help completely submerge the viewer in the film’s mysterious and melancholy tone. Evolution is a film as beautiful as any arthouse film, but it has a deeply embedded cult midnight movie sensibility.

While watching this I could not help contemplating how this film plays out like a female version of David Lynch’s Eraserhead, itself a nightmare of strange and troubling things. Mostly concerned with just how strange it is to give birth and the nebulous desires that often overtake us, this film is a kind of response to Eraserhead. Also, there is a large, but subdued, influence of the seaside horrors of H.P. Lovecraft in this film. The Shadow over Innsmouth is probably in the local library of this secluded town featured in Evolution.

I give this film my strongest recommendation. A slow burn into surreal and mysterious depths. Easily one of the best films I have seen in a long time and one I shall obsessively revisit, like any good mystery. Lucile Hadzihalilovic is one of the most promising up and coming filmmakers working out there, and I can’t wait to see what she has in store for us next.

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